top of page

Cam Hunters: the podcast - Season 3 

Cam-mobile.png

Show notes

Quotes from the episode with citations: 

​

Surveillance studies already provides some influential pleasure-related concepts, such as “empowering exhibitionism” (Koskela 2004); surveillance and performance; and sexual surveillance as a potentially cheeky form of resistance (Bell, 2009)—however, the foci are limited to a mostly sexual context. 

​

Bell, David. “Surveillance is Sexy.” Surveillance & Society, vol. 6, no. 3, 2009, pp. 203-212.

​

Koskela, Hille. “Webcams, TV Shows, and Mobile Phones: Empowering Exhibitionism.” Surveillance & Society, vol. 2, no. 2/3, 2004, pp. 199-215.

​

Borrowing from Angela Jones (2020), “pleasure [is] infinitely different sets of gratifying social experiences. Pleasure is always subjective and contextual. Scholars must recognize that pleasure is a social experience, in which the body is caught up in what anthropologist Clifford Geertz calls ‘webs of significance’” (25). As an experience rooted in the social, pleasure is therefore contingent and historically and culturally situated.

​

Jones, Angela. Camming: Money, Power, and Pleasure in the Sex Work Industry. NYU Press, 2020.

 

​

 

​

Surveillance studies’ defining feature, “is its search for commonalities among tensions indisciplinary approaches to surveillance” (Monahan and Murakami Wood, 2018: xx). The disciplines most associated with surveillance studies (such as sociology and criminology) tend to view surveillance as a pervasive method of control, governance, colonialism, policing, capitalism, and incarceration. The field is concerned with “the threat of a total ‘surveillance society’ that could lead to diminished autonomy, curtailed rights, and political repression” (ibid). 

​

Monahan, Torin and David Murakami Wood (2018). Surveillance Studies: A reader, Oxford University Press.

​

In focusing on the ubiquitous surveillance of Black bodies, Browne emphasizes how “enactments of surveillance reify boundaries along racial lines” that result in “discriminatory and violent treatment” (8). 

​

Browne, Simone (2015). Dark Matters: On the Surveillance of Blackness, Duke University Press. 

Likewise, Beauchamp (2018) demonstrates how transgender communities—especially those multiply impacted by race and disability—are “inextricable from the surveillance and security measures that work to produce and regulate them” (6). 

​

Beauchamp, T. (2018). Going stealth: transgender politics and U.S. surveillance practice. Duke University Press.

Show notes

Healing Justice Lineages: Dreaming at the Crossroads of Liberation, Collective Care, and Safety by Cara Page and Erica Woodland

​

​

 

​

 

​

Show notes

All Our Relations: Finding the Path Forward

by Tanya Talaga

https://houseofanansi.com/products/all-our-relations 

​

 

​

 

​

CamHunters_ThePodcast.jpg

Season 1

CamHunters_ThePodcast.jpg

Season 2

eye%20logo%20with%20red%20scope_edited.p
Vigilance is the new black
IIMPORTANT DISCLAIMER: Cam Hunters is an art performance and research-creation project created by media artists Julia Chan and STÉFY. Our aim is to create scholarly art and critical tools to interrogate the increasing presence of surveillance, in all its forms, in our lives. Certifications, investigations, and exploratory events are strictly performance. For more information, please contact us at camhunters@protonmail.com.

© 2028 by Cam Hunters. Copyright of Stéfy McKnight and Julia Chan

bottom of page